Scores On This Historic Day: October 16, 1992, The Bob Dylan Tribute Concert at The Garden

And what a show it was. It may have been the greatest array of musical talent ever brought together for one show in one building. (Live Aid was 1 show, but in 2 stadiums on 2 continents, and I'm not sure it was a better show, anyway.) The house band consisted of Booker T. & the M.G.'s, with Jim Keltner and World's Most Dangerous Band member Anton Fig filling in for the late Al Jackson Jr. on drums, plus G.E. Smith of the Saturday Night Live Band. Kris Kristofferson, himself one of America's greatest songwriters, was master of ceremonies, and sang "I'll Be Your Baby Tonight."

John Mellencamp kicked it off with perhaps Dylan's greatest song, "Like a Rolling Stone." He also sang "Leopard-Skin Pillbox Hat."

One by one, some serious legends came, each playing a Dylan song or two:

* Stevie Wonder, singing the gospel-inflected version of "Blowin' in the Wind" that he hit with in 1966.

* Lou Reed, "Foot of Pride."

* June Carter and Johnny Cash, "It Ain't Me Babe."

* Willie Nelson, "What Was It You Wanted?"

* Johnny Winter, whose version of "Highway 61" was particularly blistering.

* Ron Wood of the Rolling Stones, "Seven Days."

* Richie Havens, whose acoustic version of "Just Like a Woman" was epic.

* The Clancy Brothers, Greenwich Village folkie contemporaries of Dylan's, singing "When the Ship Comes In" with an Irish brogue.

* Neil Young, who blitzed through "Just Like Tom Thumb's Blues," and made absolutely nobody miss Jimi Hendrix with "All Along the Watchtower."

* Chrissie Hynde of the Pretenders, "I Shall Be Released."

* Eric Clapton, who did "Love Minus Zero"/"No Limit," then totally tore the place up with a bluesy rendition of "Don't Think Twice, It's All Right."

* The O'Jays, "Emotionally Yours."

* The Band, "When I Paint My Masterpiece."

* George Harrison of the Beatles, "If Not For You" and "Absolutely Sweet Marie."

* Tom Petty & the Heartbreakers, "License to Kill" and "Rainy Day Women #12 and 35" (a.k.a. "Everybody Must Get Stoned").

* And Roger McGuinn of the Byrds, "Mr. Tambourine Man."

The younger generation got in on the act, too: Pearl Jam's Eddie Vedder and Mike McCready, with "Masters of War"; Tracy Chapman with "The Times, They Are A-Changin'," and a performance of "You Ain't Going Nowhere" by Mary Chapin Carpenter, Shawn Colvin, and Johnny's daughter (and June's stepdaughter) Roseanne Cash.

Said younger generation included a performer who became the focus of the show's one moment of controversy: Mere days after singing Bob Marley's "War" and tearing up a picture of Pope John Paul II on SNL, Sinead O'Connor tried to sing Dylan's "I Believe in You," but got booed off the stage.

Kristofferson, perhaps anticipating such a reaction, tried to introduce her by saying that, like Dylan, she stood for freedom, including freedom of speech. It was to no avail: Harder than Dylan was at Newport in 1965, she got booed. She walked off and cried on Kristofferson's shoulder, and a microphone picked up him saying to her, "Don't let the bastards get you down."

George Harrison introduced Bob, and the big question everybody had was, "What's Bob going to do?" Not because so many of his great songs had already been done, but because a Bob Dylan show is like a box of chocolates: You never know what you're going to get. Was he going to walk on, wave, and then just walk off? Was he going to say something controversial? Was he not going to be understandable as he sang?

There was no issue with him: He sang, "It's Alright, Ma (I'm Only Bleeding)," he was totally understandable, and he was on his game. In turn, the 6 verses of "My Back Pages" were sung by McGuinn, Petty, Young, Clapton, Dylan and Harrison. Bob closed with "Knockin' on Heaven's Door" and "Girl from the North Country."